Sponsorship is an exciting and necessary part of operating a media product, as it brings in revenue and can help with distribution as well. 

Sponsorship supports many podcast and video shows as the sole revenue source. Other shows choose not to integrate direct sponsor relationships. This can be the case for businesses relying on YouTube ads and those that are promoting their own services or products within the production.

For companies and organizations that do wish to integrate direct sponsorship, we have developed a brief how-to guide below with resources included that can help you launch a sponsorship campaign.

How to Identify a Potential Sponsor

Potential sponsors are everywhere. Brands need marketing. People watch videos and listen to podcasts. The value sponsors get is being seen by the audience of a show or podcast. Partnering with an existing show to get your brand’s messages out there can be easier and cheaper than developing your own show for some companies.  In this way, visualize who would benefit from your show.

Yet, finding the right sponsors for your show can be challenging.

Potential sponsors will have a similar target audience to your target audience. As you build your audience, a sponsor can benefit from this. Other aligned values can also be useful. For example, supporting kids sports leagues with a banner makes a lot of sense for local businesses because it brings them awareness and a positive message.  It doesn’t mean that the banner drives customers on a daily basis. But the association and awareness is positive for a business. They share similar target audiences.

Traits of potential sponsorship partner

• Similar target audience as your show
• Actively advertising online
• Common values 

How to Position Your Show With Sponsors

Visualize why somebody would want to sponsor your show before heading out to meet with potential sponsors. Granted, you will learn a lot by just getting out there and doing, but you do want to have an idea about what you think will help a sponsor before taking up their time.

What is your value proposition? Most sponsorship works by you promising to deliver an audience and conversion in terms of awareness or actual conversions. You can articulate this in three main ways.  

Sell audience

Explain your show in concise terms, with specific demographics that you reach and how the audience interacts with your show. If you have an existing show, analytics can help tell the story. Look at audience demographics, keywords and location. That data is gold for sponsors. If you are planning a new show, then articulate your goals around the target audience and make some mathematically supported assumptions that help tell the story of the audience you’re building. You want to get to a number. You want to be able to speak about your projected audience size and demographics with confidence.

Sell conversions

Explain what conversion that an advertiser can expect from partnering on the show. It can be helpful to plan where you will drive conversion throughout the show. You will also need to be able to track the conversions to back up what you say and to deliver reporting so your sponsor partner can assess progress during the upcoming episodes and campaign you are managing on their behalf. Commonly podcasts and videos introduce advertisers at the beginning, middle and end of their shows. In addition, advertisers often give shows a unique code or landing page to help track conversions based on the sponsor presence in-show.

How to Fulfill Your Sponsorship Creative and Integration

In order to support sponsors, you will need to develop inventory.  Shows often can carve out structural positions within the show to announce partners.  You can also develop special segments within your show to feature sponsors. It is a delicate balance because you do not want to overwhelm your audience with sponsor messages that can be distracting and take away from your show content.  However, a good sponsor will make sure to have a valuable offer for your audience and it should add value overall.

Common Assets in Podcast and Videos

• Opening: the introductory phase of the show creates a logical sponsor placement opportunity.
• Middle: many shows break up their show with an advertising break one or more times through the show.
• End: the end of the show creates another logical sponsor placement opportunity.
• Special Segment: this is a great technique to add sponsor inventory and advance your show. Many shows design a special segment to highlight new or different information and it creates a special opportunity to showcase a sponsor.
• Call Outs: shouting out sponsors can be done tastefully during the course of a show, without interrupting the audience experience.

Fulfillment of Sponsorship

A sponsor partner will expect professional experiences and results as you engage in your business relationship. Fulfillment includes all of the activities and assets that go into delivering the proposed campaign within your show. Fulfillment means doing the work and showing it to your client.

Suggested Process

• Scope Assets: define what the assets in your show will be.
• Mock Assets: create the assets in your show and develop a proof for the client.
• Finalize Assets: after approval, finalize the assets and store them for access
• Integrate with Show Assets: drop in the show assets during your editing process
• Provide Reporting: Measure the results and metrics around the sponsor assets and provide regular reporting to your new sponsorship partner (i.e. client).
• Adapt & Adjust: Make adjustments to the sponsor assets based on reporting and performance.
• Production Meeting: host a regular meeting with clients to review their role in production and results. Weekly may make sense initially. Over time, monthly or quarterly is a good rate depending on the engagement.

Develop Your Outreach Process

Sponsor outreach tends to be a numbers game. Once you identify the traits (i.e. define profile) of sponsors that you feel are a good match for your show, the next step is to reach out to them and offer the space.

Sponsor Outreach Process

• Research: define the profile of your target sponsors.
• Build a list: create a list of at least 100 targets that match your profile traits.
• Create offer: You will want to have an overview of the show which can be developed loosely based on your treatment, along with a rate card (i.e. price list).
• Connect and Follow Up: Call, email, DM. Ask for a meeting and get ready to make your presentation.
• Present: Meet and make your pitch!

Leave no stone unturned – it’s distribution time. That means the work begins after production.

Media Distribution refers to and means methods, by any means, for the publication, transmission, dissemination, distribution and/or delivery of Marketing Media, including podcasts, videos articles, memes and any other content you develop. Simply put, distribution is the process of getting your content viewed by your target audience.

Making great content is useless without your target audience getting the opportunity to watch it or listen to it or read it. Now that you’ve created fantastic content for your target audience, make sure they can see it and interact with it and otherwise love it by distributing the content online, everywhere and every way it could possibly make sense.

There are several techniques to get your media out there. We have outlined 5 methods to get your content seen after release.

Step 1: Publish Direct to Social Profiles

Ideally you have a fanatic social media following just waiting to see what your next post is. So you post your new show to your social profiles on places like LinkedIn, Instagram, Twitter, TikTok, YouTube and Facebook. Your audience sees the content on these platforms and they watch it or read it or listen to it. Simple, right? Well, not everybody has this robust audience in place.  Lots of people that produce content are doing so to actually boost their presence and to develop a following on these platforms. Either way, posting on your social media profiles is step one on distribution.

Step 2: Publish to or Get Shares on Other People’s Social Profiles

Do you have partners or supporters? If so, a great way to get your content seen is to request that your friends post a quick note about your new content. This takes some up front planning prior to release of an episode.  It is helpful to pre-write a message and design a custom post for a partner.  Then, you can reach out with a quick email and DM and say something like: we are releasing this Tuesday. Would you be willing to post this on ‘Twitter’ (for example) to help us promote the show? We would be happy to promote you in the future.’

Even simpler than a custom post promoting your show is a simple share of your post. This is even less work for your partner. It is still helpful to pre-write a message for your community when you ask for help like this. But the process would be 1) post your show 2) message your community and ask for share.  A good message is: Hey there, please share and like to help us promote the show. Send me yours when you need help. We would be happy to promote you in the future.’

Partners to Promote With

• Friends
• Partners
• Guests
• News sources

Step 4: Email is a Fantastic Way to Promote Your Media Productions

Email is still king when it comes to engagement and ROI. That means getting your media production out by email to a curated email list is very powerful. Social media is great for easy engagement. Email wins for deeper engagement and frankly there are just more email accounts than social media profiles in the world (i.e. around 8 Billion).

With that said, a great way to get viewers for your show is to email them. Ideally, you have a massive email list and just send it out.  If not, you could leverage a partner list and request that they promote your show similar to the social process above. Or, you could have a channel partner that does this as well.

If you do not have an email list, then you should start building one by integrating your website with a newsletter service and mentioning that in your media productions to drive that conversion.  There are other ways to build lists fast as well, such as purchasing a list or community outreach and asking for opt-ins. Growing your email list could be an objective or strategy for your show overall.

Step 5: Public Relations Outreach to Promote Your Show

A more formal approach to promoting your show could be warranted if you have the budget and strategy you believe in.  Public relations works great with media shows. Write a press release and link the show. Try to identify a relevant story angle that helps your target audience. You can submit a press release broadly by a service like Cision for a couple hundred dollars. This press release will get picked up by several news sources which then gives you more content to share on social media and on your website resulting in more attention and activity online, thus driving viewership. It is not a silver bullet. However, this method can be effective depending on the true impact of your show. Another angle in public relations is reaching out directly to bloggers, who address your target audience.

Step 6: SEO and Long Term Promotions

Slow but sure, the turtle wins the race. Think of SEO as the turtle. This does not happen overnight, but the more you post your media and promote it, the more SEO power your site, brand and social profiles command. 

A recommendation is to write an article about your media production episode every time you release.  Then, post it to your blog, link the media content and submit the new blog post to Google, Bing and Yahoo at minimum.  While results will not come piling in overnight, your efforts will be recognized by search engines and ultimately drive traffic to your properties if you configure keywords and write content correctly.

There are several ways to configure camera setups for show production. Some creativity can go into this area of show development.  Positioning cameras can emphasize main points and it can assist with capturing meaningful moments with a guest or host.  Cameras can also be used to generate humor in your production, similar to the way ‘The Office’ uses the one-to-one confessional technique where the guest takes the audience out of real time to explain their true feelings.

In person Contentz productions can support up to two cameras in the studio setting and up to 40 on Zoom. Zoom production can be remote, which enables additional characters to connect with their own cameras.

One Camera Setup – camera one in person

A one camera setup captures horizontally oriented footage where both guest and host can be seen at all times. This is a camera in the studio, featuring a shot of both the host and guest. If there is more than one guest, then the camera and guests will be situated where the camera can capture the entire group in one angle. This will match your studio design.

Pros

• Looks ad hoc which can add to the charm of the podcast/video series format
• Does not require additional resources to cut to different shots
• Editing cost is low as a result of only one set of footage needing to be edited

Cons

• Limited options to edit different angles
• No ability to emphasize different points or deliveries by characters. What you see it what you get.

Two Camera setup – horizontal permanent view and cut to camera

Contentz’ in person studio can accommodate up to two cameras. Two cameras can be useful to capture the finer points on a show. If you have an engineer, then two cameras can be used to capture wide angle footage and close up, giving your show flexibility.

Camera one is typically set up as a wide horizontal view capturing all activity, with both guests featured. Camera two is typically set up with an engineer managing cut-to types of moments, which are scripted.

Pros

• Individual cut to: gives ability to edit to more close up or focus on one particular guest
• Medium editing budget: footage can be used to emphasize the point made by an individual

Cons

• Editing budget can be more expensive than a single camera, in particular if you want to have an engineer adjust for close up on camera two. If you do not need zoom-in, then Zoom conference footage can replace two camera footage.

Multi Camera Setup – Zoom Panel (2+ cameras)

Multi camera setup refers to one or two in person cameras mixed with footage on Zoom for guests that are remote and/or more than one guest along with the host.

Multi camera footage is easiest to capture on zoom, in terms of budget and ease of editing. Zoom automatically edits individual close ups in this format.  Zoom plus one or two in person cameras can accomplish the effect of wide angle, close up and cut to types of footage.  Mixing the three elements of One Camera, two cameras and zoom footage can help get all of the shots you need for your show.

Pros

• Capture more than (1) host and (1) guest. Add up to 50 members and feature their comments in a logical way on video.
• Leverage the in person cameras without having to worry about close ups on face.

Cons

• Editing budget can be high if you want precision mixing up to two in person cameras, along with the Zoom footage.

A show outline helps pull together everything you need to produce a specific episode.  It will have an overview of the show, information about the guests and topics and specific questions that will be asked during the show.

Think of a show outline as a treatment for the episode specifically, whereas the treatment itself handles the entire series or show as a whole production.

Develop a show outline for each episode that you plan to produce. This document is useful for staff that sets up the studio. It gives them specifics about your needs in the studio and it gives them information about what to prepare for in terms of segments or adjustments to equipment that may be needed. The host will use the show outline to prepare any notes that will be used to enhance the experience for the guest. Guests like to prepare for any questions that will presented as well.

There are five elements to the show outline.

Show Theme:

The show theme is a short paragraph that explains the point of this particular episode in concise terms. Think through the objective of the show and something that gets viewer attention. Don’t use passive language. Try to present the value of the episode in this phrasing. Ultimately this theme phrase can be limited to one sentence at least.

Add any details about the show and points you plan to make under this section.

Guest Background

Collect information for the host to review prior to going live with recording.  Most hosts do not want to ad lib the interview entirely. Obviously this will depend on your format but collecting information about the guest’s professional life and work background helps educate the host on the direction of the conversation and it will give them ideas about relevant comments that can be made and questions that can be asked to make a successful, engaging interview.

Easy ways to pull guest information:

• LinkedIn profile
• Company website
• Personal / Organization website
• Social Profiles 

Requesting guest background information directly from the guest can be helpful as well. This gives the guest a chance to share what they want you to talk about on the show, versus surprising them with information they are not prepared to communicate about.  Again, this will depend on the objective of your show as well as the style, but it is recommended that you consider the guest background prior to hosting for production.

Guest engagement

Guest engagement is extremely important when developing  video or audio show.  Nothing loses an audience like a guest that is not engaged or comfortable on camera or on a recording.

As an exercise, write out three ways to engage the guest for each interview. Easy examples are professional background questions, personal interest questions, and how the guest got on the show.  We have included some examples below. Feel free to use them and customize these questions for your guests.

Professional Background

• How did you get started in this industry?
• What has been the biggest highlight of your experience in this industry?
• What has been the biggest challenge for you in this industry?
• What have you been up to lately at work?

Personal Interest Questions

• I understand you are interested in ‘x.’ How is that going?
• How about those Warriors?
• How about your community? What’s it like living there?

How show episode came to be

• So why are you here today? It’s a great story, tell us about it.

Core Interview 

The core interview should start with three segments.  You can add more or have less, but for planning purposes, it is always good to have three segments when planning an interview.

As an exercise, list three major topics.  List five questions for the guest within the three major topics.  Take another look at the questions and reduce them to 3 per section.  Then, go ahead and write out any details about the questions that a host could make as statements or a method of qualifying the question.

Next Steps

The beauty of content is that you can provide your audience with something to do and measure the conversion. For example, think of advertising.  The ad plays and generally advertisers include a call to action, so the audience can go buy the product or learn more after they watch the ad.

Your production can generate the same results as advertising for you and your guests.  Define next steps as they relate to your guest and your production or business for every episode. Perhaps you use the same conversion on every episode.  That is fine of course, and it is your choice.  But note that guests present different opportunities and you generally want to help your guests with their own objectives. Promote a next step for your guest and outline it in the show outline so your host and production staff can present it with taste and also so it is effective.